The opening reception for the 79th Crocker-Kingsley Exhibit on January 19th at Blue Line Arts was a great time had by all! It was a very well-attended event, celebrating and enjoying the work of California artists.

It's always an honor to be included in the biennial Crocker-Kingsley. My recent work, Reconnoitering Deception Pass, was selected this year. I was also invited to give an artist's lecture as part of the reception. Thanks to everyone who attended to hear more about my artistic process and to learn more about my  body of work – including my early years doing performance and installation pieces. 

If you weren't able to make it to the reception, there's still plenty of time to go see this exceptional show. The exhibit closes on February 23, 2019.

​I had the opportunity to view Catherine Wagner’s exhibit, Archaeology in Reverse, at the Mills College Art Museum. The show was brilliant. Utilizing both the interior and exterior space of the gallery, Wagner deconstructed the bones and the living history of the museum through photography and aperture installations.

I received my Master of Fine Arts—Intermedia from Mills College in 1973, and it was great to be back on campus. As Wagner's exhibit intended, the walls were indeed talking! So many wonderful memories of being immersed in the Mills creative community and studying with legends like composer, Robert Ashley. Here are a few photos, past and present:

​Click here to view more of my early installation and performance work, including some additional pieces I did at Mills.

Cheers!
​Tom

Mallarmé is one of Gehrig's most significant sources of inspiration. Evidence of this can be found throughout Gehrig's body of work through his intentional use of language and text placement woven into many of his multi-media paintings. The pieces, Principles of Illumination and As If, are two of many examples.